“Zarhy’s unique way of working with the dancers makes watching them a truly plastic experience: their movements are saturated, layered, unique to them—singular. And yet, you can really feel the movement, not only in its real-time becoming, in the way it becomes tangible, but also in its being a “form of inner life”, as Paul Valéry explains.”

(Ran Brown on 'On The Threshold', Haaretz, 4.11.2025).