“Zarhy places herself in her creations as a choreographer in a vulnerable rather than dominant, egocentric, or possessive way. She doesn’t assert her ownership of the piece with her presence… Instead, she… is protective but not possessive, generous with information and open to interpretations rather than obsessive about clarity and being understood.” 
 

(Amitha Amranand, Expanse Journal, 16.6.2026)

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“Zarhy’s unique way of working with the dancers makes watching them a truly plastic experience: their movements are saturated, layered, unique to them—singular. And yet, you can really feel the movement, not only in its real-time becoming, in the way it becomes tangible, but also in its being a “form of inner life”, as Paul Valéry explains.”

(Ran Brown on 'On The Threshold', Haaretz, 4.11.2025)